Poetry News:
- — I love reworking, I love editing, love love love revision, revision, revision, revision. [not safe for work] —
- — A poet reconciling verse and living —
- — Mike Watt, Lee Ranaldo, more set James Joyce to music —
- — Karen S. Williams June 30 Poetry Workshop, Reading and Booksigning - Open to the Public [Detroit: WCCC campus on the East Side] —
- — Report: 2 million artists in US, many struggling —
- — So far, Ostriker sounds the same yearning note that Cobain does elsewhere in the journals —
- — A new survey says men are more likely than women to share their creative works online, even though both sexes participate in creative activities at roughly equal rates —
LOL I think if Persephone was a guy who was kidnapped by a big powerful God, then male-Persephone’s difficulties would be looked upon as a “heroic journey” rather than victimhood. Joseph Campbell stuff was 20 years ago for me (ask me about the Harmonic Convergence! haha) so let me know if I have this correct. Separation, initiation/ordeal, coming back — that’s the 3 parts of the journey right?
I was thinking about all this when I revisited How to trivialise women’s poetry by Eva Salzman:
“Male poets grappling with life and death issues in their writing are dragon-slayers. Women embarked on such odysseys are rarely granted similarly heroic status. Instead, they’re victims, a less noble assignation which handily renders them more vulnerable to any criticism embedded with ulterior motives, and more susceptible to being undervalued and misunderstood, except in the context of a tragedy and/or their role as mother. Is this an avoidance of any serious examination of Plath’s work? Sadly this lack of critical engagement is how most women poets are viewed, or are not viewed, as is more the case. It’s no doubt naïve to want ability and talent to be the king-makers’ main criteria.”
(Yes I’m still thinking about Pluto and Plath and that Gurlesque article from yesterday and my comments about it and Plath’s “Tulips” — that poem where it is wintertime and the country of health is far far away and springtime Tulips are oppressive.)
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If you can spare some prayers for my father-in-law that would be great thank you.
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Poetry News:
- — Aleda Shirley (1955-2008): An Appreciation —
- — On the Gurlesque part 2 —
- — Holy Shit —
- — Emerging writers are published with established writers around a loose theme —
- — The Beat Generation’s jazz sensibility still resonates in a new century —
- — Poetry with je ne sais quoi —
- — It’s all in Buffalo, and it’s all housed in the University at Buffalo’s Poetry Collection —
- — Sixteen poets, sixteen essays about mental illness and poetry —
- — The end of an odyssey - Homer’s epic is finally pinned down —
- — Could this be the way that literary magazines regain an audience —
I don’t think I have one shred of that “Gurlesque” going on. I think it is because I started working when I was 7 & didn’t have a middle-class suburban environment LOL? I’m not very glittery, anyway. That might be it. That is not anything judgmental in any way - I’m just being factual haha. I have a lot of male energy. Mars in my astrology chart conjuncts my ascendant, trines my Jupiter, trines my nodes, sextiles my midheaven & sun, and squares Chiron, Saturn, Uranus, & Pluto. (T-square with Mars/Asc and Uranus/Chiron.) Luckily (29 degree Sag.) Mars is in the 12th or I’d probably be a violent criminal haha instead of a somewhat peaceful Buddhist who just enjoys stirring things up when something is an affront to her sense of truth & justice
& can’t shut up about it.
So in my book I have poems about war, gambling, sports, tooth extraction, surgery/body getting cut open, cut off hands (mentioned in 2 poems haha), 1 frozen decapitated head, someone hammering nails up his nose, tattoos, boxing, blood and scars. I think just about the only color mentioned in there is red, too. I didn’t even include the poems with gunshot wounds, taxidermy or sword swallowing. And I’m not a guy hahaha….
All Mars stuff I’ve realized but I try to be beautiful about it at least.
So I guess my poetry is quite the antithesis of Gurlesque, actually….hahahaha. I’ll have to think of a snappy label for it. Warplay. haha.
Sylvia Plath had some pronounced Mars action in her astrology chart too & her poetry is pretty bloody. That & her brilliant music is probably why she’s my favorite poet. But that was probably Pluto, too, in her case. (With her issues about death.) So I would have to suggest that “Tulips” (as mentioned in the Gurlesque pt 2 link, above) is not merely submissive but rather it is Plutonian/underworldian in its theme. Because illness has a heavy aspect of destructive overpowering transformation, right, & you’re abducted by it. What, you’re NOT going to hand over your name to the nurses & give over your body to Pluto after you arrive in Hades?
You really have no choice. You’ve been kidnapped!
Coincidentally we both have Venus in Virgo. Plath used the word “pure” a lot — (”Pure? What does it mean?”) — she wrote those heavy-duty hospital / health poems, too. (Virgo.) Face Lift, Tulips, Surgeon at 3 a.m, Fever 103.
Contemporary poetry needs more blood and guts…. I’d write more but I have to take Darryl to the airport.
PS William Carlos Williams was a Virgo — check out how many times he uses the word “white” in his poems — if this is not a “pure” Virgo poem I don’t know what is:
Nanucket
Flowers through the window
lavender and yellow
changed by white curtains-
Smell of cleanliness-
Sunshine of late afternoon-
On the glass tray
a glass pitcher, the tumbler
turned down, by which
a key is lying- And the
immaculate white bed
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